Sunday 30 September 2018

The Girl Who Forgets How To Walk by Kate Davis


"We never speak of it, but here we know the land
can t be trusted"


The debut collection from Cumbrian poet Kate Davis tells a personal narrative of contracting polio as a young girl, her subsequent disability and slow rehabilitation. A book of things known and not known, of untrustworthy ground and unsteady bodies, The Girl Who Forgets How to Walk finds comfort in the ancient limestone of her home county as she teaches herself to move again along its hills and coastlines. Inspiring, funny and deeply personal, with this book Davis creates her own map to navigate the wild landscape, demonstrating a unique connection to the earth beneath us.
Amazon description

After 278 posts, the vast majority of them reviews of magic realist books, I have rather run out of steam as evidenced by the low number of reviews this year. I don't want to stop posting on this blog, as I get great pleasure from sharing with you. But I have decided I need to make some changes - one is a bit of a break from reviewing novels. I will still review a magic realist novel when I read one, but I want to diversify. I have already reviewed an exhibition and a theatrical production, but there is one literary form which I have yet to review and yet it is ideally suited to inclusion in this blog and that is poetry. Of course this will require me to gain new skills and approaches, but then I need something new. I just ask that you bear with me as I find my way. 

The back cover of Kate Davis' poetry collection states Kate Davis writes magical realist poems, born of the hills, marshes and coastal edgelands of south Cumbria. And she does so wonderfully. 

The suite of poems The Girl Who Forgets How To Walk is the central section of the collection. It focuses on the story of the girl with polio. The beginning and concluding sections are made up of poems which complement it, being more focused on the landscape, its history and archaeology of Cumbria. These poems, while providing a setting to the girl's story (before and after her illness), do so much more.The girl's body afflicted by polio and the landscape mirror each other - 
We never speak of it, but here we know the land can't be trusted.

But the relationship between the Cumbrian landscape and the girl is a complex one. She wants to find the footpaths for herself. When she is shown geological maps she sees what is inside herself instead of seeing what is in the earth. In one of my favourite poems the members of the family are described as different rocks - 
Our mother was a stony outcrop,
our father a cobble chucked in a pond
and sunk.

A few poems, such as the one where she sees people floating in mid-air, are very obviously magic realist. But as I have written so many times magic realism is a sensibility and nearly all these poems share it. 

One of the joys of this work is that while Kate David deals with a highly personal and difficult issue she does so in a way that is joyous and even at times humourous. 

I recommend this collection to you.