In the schoolroom of a simple European village, Kicsi spends her days dreaming of the lands beyond the mountains: Paris and New York, Arabia and Shanghai. When the local rabbi curses Kicsi’s school for teaching lessons in Hebrew, the holy tongue, the possibility of adventure seems further away than ever. But when a mysterious stranger appears telling stories of far-off lands, Kicsi feels the world within her grasp.
His name is Vörös, and he is a magician’s assistant who seems to have powers all his own. There is darkness growing at the edge of the village—a darkness far blacker than any rabbi’s curse. Vörös warns of the Nazi threat, but only Kicsi hears what he says. As evil consumes a continent, Vörös will teach Kicsi that sometimes the magician’s greatest trick is survival.
I had seen this title on lists of magic realist books and so had added it to the list of books which I carry with me whenever I visit second-hand bookshops. However when I found a copy in Hay-on-Wye the cover put me off, making me think that whoever had listed it had made a mistake and that this book was too fantastical to be magic realism. Here is that cover:
Then a few weeks ago I saw the book featured on Netgalley. It has been republished as an ebook by the excellent Open Road Media. My interest was piqued by the description and I requested a review copy. I am glad I did.
For those of you who are interested in the debate about where fantasy begins and magic realism ends this is definitely a book to ponder. Yes, there are straight fantasy scenes showing the magician's duels with the rabbi which could be in a Peter Jackson movie, but there is also a historical reality about the book, a reality which was more horrendous than anything that can be dreamed up by any horror writer. The chapters depicting Kicsi's experience in the death camps are powerfully accurate. Lisa Goldstein, a daughter of two Holocaust survivors, asks some awkward questions about the role of magic in modern Europe.
The key thing to note is that the magic fails. The magician can foresee the impending holocaust but can do nothing about it. He fails to persuade the Jewish residents to flee. The magician fails to create a golem to protect the little town where Kicsi lives. Although he is prevented from doing so by the Rabbi, there is an underlying question - could the magician ever have succeeded, was the old magic powerless in the face of the very real terror of the Nazi machine?
The Prague Golem legend has always struck me as tragic. The Golem was created to protect the Jewish community and was/is meant to be sleeping in the attic of the Old-New Synagogue waiting, like Arthur and his knights, the call to rise up at times of the greatest danger. But when that danger came, the giant in the attic did not stir.
The magic in magic realism is often that of the underclass, the oppressed, the disenfranchised. It gives power to the powerless. For that reason there is an important strand of magic realism, which draws on the ancient beliefs of the Jewish people. In the camp there are tales among the detainees of a red-haired man and people disappearing from the camp. Goldstein does not make clear if this is wishful thinking and the "escapees" have actually been killed. After the war Kicsi is found by the magician among the dying and physically recovers. But her spirit does not revive and she suffers from survivors' guilt. She accompanies the magician on a journey back to her home town and another duel between the two men. That process brings her back to life.
As a book for teenagers I think The Red Magician would work particularly well, although it is suitable for adults too. The book is an excellent short read and I thank Open Road Media for making it available.
I received this book free from the publisher via Netgalley in return for a fair review.