Buenos Aires, the 1970s. Julia inherits from her grandmother a gift, precious and burdensome. Sometimes visions appear before her eyes, mysterious and terrible apparitions from the future, seen from the perspective of others. From the age of five, Julia must intervene to prevent horrific events. In fact, as her grandmother tells her, it is her duty to do so—otherwise she will lose her gift.
At fifteen, Julia falls in love with Theo, a handsome revolutionary four years her senior. Their lives are turned upside down when Juan Perón, the former president and military dictator, returns to Argentina. Confronted by the realities of military dictatorship, Julia and Theo become Montoneros sympathizers. Julia and Theo are radical idealists, equally fascinated by Jesus Christ and Che Guevara. Captured by death squadrons, they somehow manage to escape. . .
From the Goodreads description
Ingrid Betancourt is the former French Columbian politician who was kidnapped by the FARC guerillas in 2002 and endured over six years in capitivity before she was released by the Columbian army. She has written about what and how she endured her captivity in the jungle in Even Silence Has an End. In this, her first novel, Betancourt revisits in fiction many of the themes in the earlier book. At the heart of the novel is a young woman's experiences at the hands of the Argentinian military junta's thugs and torturers. Like Unspeakable Things, the previous book reviewed on this site, The Blue Line is also about the survivors of oppression and the legacy of guilt and psychological damage that impacts on their personal relationships.
The obvious comparison for this book is with Isabel Allende's The House of Spirits. It focuses on a brave young woman drawn to helping the poor and thus into radical politics. A naive idealist in the face of the political betrayals and complexity of Argentinian politics, Julia is no different from most young activists the world over, but the consequences of her decision to engage are terrible. Her treatment in the notorious military interrogation centres, and the details of her and others' torture are not glossed over and may be shocking to some readers, but are absolutely based on facts.
Also at the heart of the book are Julia's two key relationships: with her grandmother, who helps her understand and use her gift of second sight and in whose footsteps she follows in more ways than one, and with Theo, her lover and husband. It is Julia's relationship with Theo that sits at the heart of the story and drives the narrative arc, even though for much of their lives they are apart. It is Theo who introduces Julia to radical politics.
Loyalty is a major theme in the book. Julia's loyalty to Theo and other women in the detention centre is a major motivator, which at times puts her life in danger. Theo's loyalty to his brother is likewise key. Of course the betrayal and manipulation of loyalty also features. As in Unspeakable Things the survivors have a loyalty that will not let go of the past and so blights the present.
The novel moves backwards and forwards in time, a structure that I seem to be seeing more and more in books. This can be frustrating at times and halfway through I was inclined to think that it was hindering rather than helping the story move forward. However on finishing the book I could see why this technique was used.
This is a fascinating book and, despite the graphic depictions of torture, one that demands to be read by anyone who wants to get a feel for the dilemmas facing good people living under tyranny.
I received this book free from the publisher in return for a fair review.